A curious piece of family lore was brought to mind when I listened to a podcast episode about researching theatre ancestors. It was that "Gertie was a gaiety girl". Gaiety girl? My im
agination offered up images of sexy dancers but I doubted such women would get a mention at the box office. Plus, we had more than one Gertie in our family tree. Still, the podcast encouraged me to go searching, and the exercise proved very illuminating.
The fact that my mother and aunt knew about Gertie's career in theatre pointed to her being the more recent Gertrude in the family tree. That would be Gertrude Parker, elder sister of Maude Parker. In other words, this was my Grandad's aunt on his mother's side. She was born in 1871 in Marylebone and appeared on the 1891 census aged 20 and working as a parlour maid/domestic servant.
According to the podcast, it was typical for theatre people to have two jobs. Because of the inconsistency of stage work, they generally had a regular day job as well. In the case of Gaiety girls, working at the Gaiety Theatre in London's West End, their night job involved singing and dancing as members of the chorus in musical comedies. It was glamorous too, by the sounds of it, because London's top couturiers of the 1890s designed fashionable bathing suits and clothes for the girls to wear on stage, knowing that their appearance in the theatre and in illustrated periodicals would serve as excellent publicity for their latest fashion lines.
The Gaiety Theatre was situated on Aldwych, at the eastern end of the Strand in Westminster. It had seating for 2000 people on four levels. Interestingly, the proprietor chose to ban smoking and drinking from the main theatre, instead providing separate saloons for these activities. Lighting was achieved with a novel gaslighting system which created an appealing ambiance. The music was live and the script was witty, but manager George Edwardes was careful to steer clear of the racier elements of burlesque in order to please a slightly more refined audience.
The gaiety girls themselves were respectable young women, polite and well-mannered, according to Wikipedia. They drew people to the theatre and the surrounding restaurants and were regarded as suitable dates for bright young men. The term "stage door Johnnies" comes from the wealthy gentlemen who stood waiting for the chorus girls to emerge from the theatre after the show so they could take them out to dinner.
According to author Alan Hyman, who wrote the book The Gaiety Years, many unlikely matches occurred as a result of this practice. "At the old Gaiety in the Strand the chorus was becoming a matrimonial agency for girls with ambitions to marry into the peerage." After the star Connie Gilchrist married the 7th Earl of Orkney,, several other show girls abandoned George Edwards to marry noblemen, bankers or stockbrokers. "The Guv’nor finding this was playing ducks and drakes with his theatrical plans had a 'nuptial clause' inserted in every contract. ... Debutantes were competing with the other girls to get into the Gaiety chorus while upper-class youths were joining the ranks of the chorus boys."
Our Gaiety girl, Gertrude, married Harry Milner Willis, an accountant. The marriage took place in 1892, before George Edwards rose to the height of his career with shows that went to Broadway. Nevertheless, she may have participated in earlier productions, such as Faust up to Date [1888], Carmen up to Data [1890], and Cinder Ellen up too Late [1891].
Investigating the link between Gertie and the theatre taught me a lot about Edwardian musical comedy and London society in the 1890s. It also explained something about a family heirloom. I had inherited from my mother an autograph book full of signatures from actors and actresses. My aunt had been unable to remember how it had come to be in the family, so my sister and I had assumed that Grandad, being so well-travelled, must have also collected autographs as a hobby. Now I believe it was Auntie Gertie who gathered the signatures because it was her that mixed in theatre circles, rubbing shoulders with the stars of the day and many minor characters who would go on to build illustrious careers.
Photo credit: Miss Broughton in swing, by The National Archives UK.
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